I slapped the new large plate on the end and with a bit more tweaking it was something I can get away with in a rehearsal. It has a particular nasal honkiness around the open A & D frequencies, and efforts to EQ it just seemed to make things worse.Ī friend sent some profiles to try and recommended the parallel approach you suggest. This guitar isn't even a dual pickup system, it's nothing but the piezo on the bridge. I actually ended up not far from what you suggested as I played with things last night. You can get some pretty damn crazy quality sounds this way with at least other gear I've done it with.no doubt the same with the kemper Display More You can get some pretty damn crazy quality sounds this way with at least other gear I've done it with.no doubt the same with the kemper Then delay/reverb (comp at start of chain) If possible use parallel chain (like bass players use) so its a mix of both the pickup and the IR Try to either get a good acoustic impulse and use that as a cab OR do a match eq of your guitar against a great sounding mic'd acoustic and your guitar and convert that to a IR/Cabmaker Here is what I would do in your situation Kemper isn't set up as well for dual guitars mag/piezo as some other gear Anyone have recommendations on profiles you've used that do a good job for this type of application? I know I can slap an EQ on a clean profile to minimize at least some of the harshness, but I kinda suck at tone shaping and I figured there must be others who run this type of acoustic pickup into the Kemper. Not sure if I'm going to work with these guys or not so I'm not ready to shell out for a better quality acoustic just yet. These things have always sounded less like an acoustic guitar than like pointing a microphone at the tail end of an unplugged Strat, but that's what I have to work with at the moment. I haven't gigged with an acoustic in decades and the only electrified type critter I have is an inexpensive Washburn shallow body with the piezo bridge pickup. Και όλα αυτά χάρις τη μοναδική ομάδα της RMacoustics.I found myself in a position this week where I might need to reach for an acoustic on occasion (classic rock covers, e.g. – Makes a perfect match with our Acoustic preamplifier. It fits easily to soundholes with an aperture larger than 60mm. As a result, soundhole remains wide open. – Dimensions: into soundhole 60 x 14 x 22mm (L/W/H) max. – Handmade quality and finally, individual testing. – Innovative screwless installation that allows immediate attachment/removal, hence not to bother with screwdrivers or other additional tools. – No need for an external preamplifier ( albeit it can benefit from any available). 240 hours (2 x CR2032 Coin cells, therefore no significant additional weight). – No sound colouration / no distortion / no signal compression. – Flat frequency response (from deep, focused bass to clean, detailed treble with no midrange emphasis / peaks). – Separate pickup element for each one string, individually calibrated so as to capture each string’s unique timbre. Real time adjustable ( mixing or isolation). – Pickup for guitar offers dual source signal ( pickup – microphone). As a result, just the acoustic sound amplified. Excellent linearity, flat frequency response, full dynamic range, perfect balance among all strings, ultra low distortion, absolute no sound colouration and exceptional feedback resistance. This transducer pickup for acoustic guitar unit is focused on acoustic sound amplification.
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